Humanities Research Center Faculty Fellows
Audrey Goodman is a Professor in the English Department and the author of Translating Southwestern Landscapes and Lost Homelands (University of Arizona Press). Her research explores how literary and visual forms express cultural identities, tell stories of displacement and belonging, disrupt colonial geographies, and articulate environmental knowledge in the U.S. West. A former fellow at the Georgia O’Keeffe Museum Research Center in Santa Fe, she is currently writing “A Planetary Lens: The Photo-poetics of Western Women’s Writing,” a book that focuses on the interplay between text and image in work by Joan Myers, Meridel Rubenstein, Joan Didion, Sandra Cisneros, Leslie Marmon Silko, and Joy Harjo.
Leslie Marsh is an Associate Professor in the World Languages & Cultures Department and Director of the Center for Latin American and Latino/a Studies. Her current research project “From Cinema Novo to Cinema Negro: The (Re)Emergence of Black Cinema in Brazil” addresses the agency and authorship of Afro-Brazilian artists whose work during the 1960s with esteemed Cinema Novo directors preceded the emergence of a generation of filmmakers who gained access to audiovisual training and production funds created by affirmative action policies between 2003 and 2016. Afro-Brazilian artists whose careers began in the mid-twentieth century have been generally neglected in film criticism. In historicizing black cinema in Brazil, Dr. Marsh examines changing ideas of race and cultural identity in Brazil in recent years and contributes to understanding black authorship and agency in Brazilian cinema.
Joe Perry is Associate Professor of modern European and German History. His first book Christmas in Germany: A Cultural History explored the many competing social and political appropriations of Germany’s favorite holiday. His current book project, tentatively titled “Techno Scenes and the Love Parade: Culture and Politics in the Berlin Republic,” examines youth movements, the techno music scene, and the relationship between alternative cultures and urban development in post-unification Berlin. In 2017 he received a grant from the German Academic Exchange Service (DAAD) to support this research; his publications include various book chapters and articles in journals such as German Studies Review, German History, and Central European History.
Dan Weiskopf is a Professor of Philosophy and Associate Faculty member with the Neuroscience Institute. His research focuses on the mind/brain sciences, particularly their modeling practices, tools and experimental methods, explanatory and predictive norms, taxonomic schemes, and uses of images, diagrams, and other representations. In his current project, Beyond Mechanism: Interfield Modeling in the Cognitive Sciences, he aims to clarify the theoretical, social, and technological requirements for successfully integrating data and models from many disciplines into a single, unified picture of how complex systems function.
Eddie Christie, Associate Professor of English, specializes in early medieval English language, literature, and culture. His current research project, a monograph entitled The Unknown King, examines ideas about human identity that emerge in literary depictions of “face to face” encounters. Focusing on kings not as rulers but as symbolic figures who “act as a value reference for the various groups that constitute [their] society,” this book – in dialogue with recent philosophical re-evaluations of the human and with the history of anthropological thought – simultaneously reveals new semiotic and social patterns structuring the imaginative universe of Anglo-Saxon literature and critiques ingrained ethnographic assumptions in the study of the medieval past. His previous work on Old English literature, focused mainly on literacy and epistemology, is published in journals like Modern Philology, Postmedieval, Neophilologus, Literature Compass, Mythlore¸ and Culture, Theory, and Critique. In addition to courses in medieval studies, he teaches British Literature and the History of the English Language.
Mario Feit is Associate Professor of Political Science with a focus on Political Theory. He is working on a book manuscript that defends impatience as a democratic virtue and temporality. This research project engages the Book of Job, the U.S. Declaration of Independence, Frederick Douglass, Martin Luther King, Jr., W.E.B. DuBois, feminist theory, and literatures of social acceleration. Portions of this work have been published in Contemporary Political Theory and Political Theology. Dr. Feit won the award for best article published in 2017 in the journal Contemporary Political Theory for his article “Democratic Impatience: Martin Luther King, Jr. on Democratic Temporality.”
Emanuela Guano is Professor in the Anthropology Department. As an urban anthropologist, she has conducted ethnographic research in Argentina and Italy. Her recent book Creative Urbanity: An Italian Middle Class in the Shade of Revitalization (U-Penn Press 2017) is an exploration of the forms of creative self-employment that have emerged from the neoliberal transformation of Italian cityscapes. In 2018, Dr. Guano was awarded a Wenner-Gren Foundation Postdoctoral Grant to support ethnographic research on her new project on urban aesthetics and the resistance to redevelopment in an Italian postindustrial periphery. Her work has been published in journals including Cultural Anthropology, City & Society, and Ethnos.
LeeAnne M. Richardson, Associate Professor of English, spends much of her time thinking and writing about how gender, literary forms, and history interact. She will use her time as a Humanities Research Center fellow to complete a book manuscript called The Forms of Michael Field. Michael Field was the name under which aunt and niece Katharine Bradley and Edith Cooper published 28 volumes of verse drama and 8 books of lyric poetry between 1884 and 1914. The Forms of Michael Field begins from the premise that the two poets’ construction of a singular masculine identity works on the same principles as a literary form: like a genre, their poetic identity shaped how audiences received, understood, and interpreted their poetic work. Bradley and Cooper carefully designed and managed this identity (often instructing others in correct pronoun use–always masculine and singular; requesting different modes of address for their individual female selves and their public poetic identity), and they treated the creation of this identity with the same artistic seriousness they gave to their published poetry.
Molly Bassett is Associate Professor and Chair in the Department of Religious Studies. Her research explores Aztec and Nahua—indigenous Mexican—cosmologies. Her first book, The Fate of Earthly Things, analyzed the concept of god (teotl) and deity manifestations in Mesoamerica, and her next project examines ritual wrapping and bundling as an important way in which Aztecs interacted with their local environment. This project draws on ethnohistory, ethnolinguistics, and folk biology to explore how Aztecs “bundled” ordinary things and words to make extraordinary structures and concepts.
Kimberly Cleveland is Associate Professor of Art History in the Ernest G. Welch School of Art & Design. She explores questions of race, ethnicity, and identity in relation to artistic production in her classes, curatorial projects, and research. She is currently writing a book, Artistic Renderings of Brazil’s Black Wet Nurses: Visualizing the Women Who Nourished a Nation. In this publication, Cleveland uses renderings of the black wet nurse as a lens through which to explore broader social developments in Brazilian history and to analyze how artistic representations of this body of women have both followed and challenged dominant attitudes toward race and the memory of slavery. Her first book, Black Art in Brazil: Expressions of Identity, was published by the University Press of Florida in 2013.
John Holman (Professor of English and Creative Writing) is the author of Squabble and Other Stories, Luminous Mysteries (a novel), and Triangle Ray. He is a Whiting Award winner whose fiction and nonfiction have appeared in The New Yorker, Mississippi Review, Oxford American, as well as other journals and anthologies. Focusing largely on African-American characters, his work concerns the lives of diverse populations in the American South.
Jennifer Patico is Associate Professor of Anthropology and the author of Consumption and Social Change in a Post-Soviet Middle Class (Stanford University Press and Woodrow Wilson Center Press, 2008), an ethnography of consumerism, shifting class identities, and moral discourses in post-Soviet St Petersburg. Her current project, a book tentatively titled Sugar and Selfhood: Children’s Food and Middle Class Ways of Being (NYU Press), examines parenting practices, children’s food, and underlying concerns about self in urban Atlanta. Her work has been published in journals including American Ethnologist, Slavic Review, Ethnos, Critique of Anthropology and Gastronomica.
Jennie Burnet is Associate Professor of Global Studies and Anthropology and Associate Director of the Global Studies Institute. Her research explores the social, cultural and psychological aspects of war, genocide, and mass violence and the micro-level impact of large-scale social change in the context of conflict. She is currently writing a book, To Save Heaven and Earth: Rescue during the Rwandan Genocide, which examines how and why some Rwandans risked their lives to save those targeted in the 1994 genocide of Tutsi in Rwanda. Her first book, Genocide Lives in Us: Women, Memory & Silence in Rwanda, won the Elliott P. Skinner Book Award from the Association for Africanist Anthropology.
Christie Hartley (Associate Professor, Philosophy) specializes in social and political philosophy and feminist theory. With Lori Watson, she just completed a book for Oxford University Press titled Equal Citizenship and Public Reason: A Feminist Political Liberalism. She is currently working on the connection between dependency and domination in liberalism as well as a feminist critique of convergence liberalism.
Peter Lindsay (Professor of Political Science, Philosophy, and Political Theory) is the author of Creative Individualism: The Democratic Vision of C. B. Macpherson (1996) and The Craft of University Teaching (2018). He is completing a book that examines an alternative framework for looking at property relations, and then uses that framework to draw general conclusions about what would (and does) constitute just ownership. After starting with a contentious claim – that the world’s poor have no obligation to respect existing property relations – the book explores how we might defend any property rights and why, given the nature of ownership, only one method makes sense. The ramifications of this method – the alternative framework – are then explored with respect to both existing and ideal claims of ownership.
John McMillian (Associate Professor, History) specializes in twentieth-century American history, with an emphasis on 1960s and 1970s. His books include Beatles Versus Stones (2013) and Smoking Typewriters: The Sixties Underground Press and the Rise of Alternative Media in America (Oxford, 2011). His current project, “Welcome to Fear City: Crime, Policing, Corruption, and the Making of Modern New York,” examines predatory street crime in NYC from 1963-2001. Lately, much scholarly attention has focused on the rise of the carceral state, but many of these important works overlook just how vast, vexing, and intolerable NYC’s crime problem was. “Welcome to Fear City” will to provide a comprehensive account of how city officials, the NYPD, community activists, and policy analysts battled over how to solve NYC’s crime problem, and it will address the controversies that NYC’s crime-fighting strategies created.
Julia Gaffield (Assistant Professor, History) researches the Atlantic World, focusing on the aftermath of the Haitian Revolution and early-nineteenth century state formation during the Age of Revolution. She is author of Haitian Connections in the Atlantic World: Recognition after Revolution (UNC, 2015) and editor of The Haitian Declaration of Independence: Creation, Context, and Legacy (UVA, 2016). As a Humanities Research Center Faculty Fellow she will be working on her book manuscript in progress, “The Abandoned Faithful: Sovereignty, Diplomacy, and Religious Dominion in the Aftermath of Revolution.”
Monique Moultrie (Assistant Professor, Religious Studies) works on issues including sexual ethics, African American religions, and gender and sexuality studies. Her book Passionate and Pious: Religious Media and Black Women’s Sexuality was published by Duke University Press in December 2017. Moultrie has worked as a consultant for the National Institutes of Health and the Lesbian, Gay, Bisexual, Transgender-Religious Archives Network. She is also a working group member for Columbia University’s Center on African-American Religion, Sexual Politics, and Social Justice, and of the Religious Coalition for Reproductive Choice’s Scholars Group. Her next project is a book-length study of black lesbian religious leadership and faith activism.
LeeAnne M. Richardson (Associate Professor, English) spends much of her time thinking and writing about how genre and history interact. Her HRC project is titled “Turn of the Century Women Poets: Skirting the Problems of Periodization” — a book manuscript that examines the social, economic, and political forms that worked to shape women’s poetry of the late-nineteenth century. In this study, poetry provides a lens through which to view other influential cultural forms and to uncover the connections, collisions, and continuities among them. The late-Victorian and pre-Modernist era (1880-1920) saw enormous social, legal, political, professional, and educational changes for British men and women both. Studying women’s poetry as a category unto itself allows access to the specifically gendered effects of social change. “Turn of the Century Women’s Poetry” corrects the exclusively masculine picture of fin de siècle literary production and demonstrates how women poets participated in and contributed to their literary-historical world.
Neil Van Leeuwen (Associate Professor, Philosophy; Associate faculty, Neuroscience). His work focuses on belief, imagining, and the relation between the two. Currently, his research is focused on functionalist theories of belief and other cognitive attitudes. He is also developing a systematic theory of imagination, its etiology, representational structure, and influence on behavior.He is currently working on a book for Harvard University Press, tentatively titled “Religion as Make-Believe.”